New York's Bush Tetras had a no wave link, via guitarist Pat Place's association with James Chance, but the band's sound was neither frantic nor disjointed enough to be properly categorized with those bands. They played scrappy post-punk, with fellow Americans Pylon and Konk and Brits Delta 5 and Au Pairs as close contemporaries. If there's any one song the Bush Tetras are known for, it's 1980's "Too Many Creeps" -- the band's most representative song and also the catchiest, made by the kind of jagged rhythms, slicing guitars, and sniping vocals that were used throughout their short lifespan. Perhaps the song wasn't quite insistent or hypnotic enough to become a smash single of the new wave era (released on the small 99 label, its reach was limited), but it could be argued that Romeo Void wouldn't have become popular without knowing about it. That band's "Never Say Never," a genius single in its own right, seemed to take a couple cues from the Bush Tetras; during a 2003 episode of VH1's Bands Reunited series, Romeo Void guitarist Peter Woods matter-of-factly confessed to being inspired by the sound of Place's guitar.